What is your relationship with flutes?
well,Ii wanted to learn the oboe as a child and my mother couldn’t afford it so i learned the flute and a little bit had this strange immature feeling that it was my second choice for the 6 or 8 years i studied it, depending how you count (recorders included or not). my main interest in music school was always music theory which i think overall was unusual and nerdish especially from a girl. everyone was focusing more on their instrument. i do remember putting my foot down around 10 or 11 years old though and refusing to play music by old dead german guys, i couldn’t relate to them and being an icelandic girl in the late twentieth century there wasn’t much in common. so they got me this young flute teacher who introduced me to recent finnish flute music which was so gorgeous and kinda folk and very connected to nature but also had a bit of atonal avant-garde in it. it kinda liquided back and forth between ancient folk melodies and the sound effecty abstract. what’s not to love? then i started in punk bands and played flute in a couple of them, for example “anna” with kukl and “glóra,” i think it’s on youtube? i think also looking back it really trained my lungs well with breathing and stamina so when i started singing which was also my second choice (wtf) because i wanted to be a drummer, i probably had a very naive clumsy voice but i had killer lungs even though i say so myself. but it was crazy for this album now coming back to it after all those years later, like looking at a not so “cool” part of my childhood, flutes were always a bit naff, and looking at it so much later through a timeglass and seeing another thread and linking it together and bringing it forth to now. i feel also doing my last album vulnicura which was me letting it all go into the most darkness of loss and grief that i’ve done so far, suddenly all sounds that were light and fluffy sounded so appealing.
Why did you work with alejandro ghersi?
at the end of vulnicura i felt a deep musical connection with him, i felt guilty having dragged him through such a dramatic and difficult subject matter and that we had earned a lightness. and he had served my mission with such elegance and dignity, I wanted to find another point of view where we could have the ideal utopian musical collaboration without the baggage of my heartbreak, but there was also some sense of a deeper purpose neither of us even understand today. something about when 2 musicians that could both do albums on their own would still merge, looking at it afterwards now that it is done, we wanted to leave our defenses and egos behind, the patriarchy, hierarchies, everything, and travel into pure abandon where no one is a victim. he’s not oppressed by adapting to my songs like on vulnicura, i can merge with a male producer and not be paranoid about being typecast as just the vocalist and so on. like embrace all the weaknesses and make it into strengths. stay vulnerable. we managed to watch each other’s backs, making each other braver. maybe it was weirdly also about the timing of me having just talked during vulnicura about how little credit women get as producers. maybe exactly then it was gonna take the most courage to merge with another. and still keep your dignity as a musician. because like all justice battles, black rights are not about isolating black people but that they can live in a society with white people but still keep same strength. same with women. i’m not sure how much it helps to isolate. i think it is important now that everyone is more aware of the culprits of sexism, we should be able to embrace collaborations and guys don’t get all the credit.
Did your dream of utopia come true?
as weightlessness and freedom or hindrances in music making: yes! but i think the idea of the album was never to fanatically pollyanna forth some ideal perfection but rather a speculation of what our fantasies are and what the reality is and where can they help each other. have courage in going for your first choice and standing by it. i feel in this time of trump it is a necessity to have a plan, a manifesto, an alternative. it’s a question of life and death for our species. as a musician i feel i can suggest the musical poetic angle which is that after tragedies one has to invent a new world, knit it or embroider, make it up. it’s not gonna be given to you because you deserve it, it doesn’t work that way. you have to imagine something that doesn’t exist and dig a cave into the future and demand space. it’s a territorial hope affair. at the time, that digging is utopian but in the future it will become your reality.
I have to say at this point last night i got incredibly sleepy or i found it almost impossible to ask myself questions, it seemed so incredibly narcissistic and i got very quickly cabin fever in my own brain so i imagined asking random people i like questions, like if they were hypnotized and i could only ask them one question each but it would be the spot on one. i then wrote them down and then when i woke up, i’d forgotten them and then answered them like i’ve never heard them before.
Do you enjoy pressure or hard work?
a bit of both. i think as creatures of nature we are designed to be hunting or gathering, barely surviving and it’s a pro-life statement to make things. but i also have strong feelings about not working too much, i find workaholism really anti fertile. for example in my work with scandinavian schools with biophilia it is very apparent that short schooldays and a lot of free time inspires the imagination most and not only makes the kids happier but also they make more original things in the end. i’ve seen how the working until midnight in the biggest cities is really destructive of families. and you aren’t coming up with any new ideas but just repeating old stuff on a loop.
Do you allow space to think abstractly?
i probably could some more? but i have to say, sometimes in the heat of solving riddles, like when i was finishing mixing this album for example, i got the most abstract and fast fluid moments…but sometimes, especially in the writing process i have to allow myself to truly freefloat to get to that new fertile place and not just repeat myself. so in short: it is abstract when and where it is abstract? can’t plan it?
How do you avoid routine crystallizing your days into stagnant firm form?
ha, ha, ha, ha, it’s an ongoing riddle. i do get it though half of the time right. but just juggling children and everything else sometimes especially out of consideration for others you have to go a little rigid with them dates. but i try not to plan too much ahead or i get claustrophobic. as a musician there has to be a lot of space for me to improvise, otherwise i’d never write anything.
What is your favorite ritual?
i think the mornings are the most precious ones. they can be most magic but also the hardest ones if you get them wrong. to remain fluid but gently open to changes or different people and include everyone. the evenings are easier because then you have all the ingredients of the day and its easier to guess what will go down well or what element is lacking.
How important is the sexual force to you?
extremely. it is what drives you, i think obviously it is not literally only in sex but it is vital to include it into the choreography of all things.
How does one fuel vibrancy in life?
listen to yourself. allow space to be heard. do what turns you on most.
Can you unite sex and love?
Who would you most want to meet?
my friends, omg, been in the studio a little too long.
When do you feel freest?
making music. being with friends and family. walking in nature.
Do you trust where life is taking you?
3 years ago no. for the first time it felt like an error. but now i do. i understand better.
How much risk do you like taking and how safe?
i’m probably more conservative than people think. i still live close to where i was born, i am surrounded by nature, friends, family, a lot of my life involves music in one way or another. but then perhaps i try to bungee jump in songwriting or arrangements or how i sing. not saying i succeed but i do try.
do you have fear of not being heard?
not more than others but my weakness is definitely claustrophobia so loudness in big cities and the weight of the concrete somehow feels suffocating sometimes. but overall i feel very blessed. i make my music and people are still listening and i am surrounded by incredible friends who i talk to all the time about everything.
do you believe in love?
what kinda essence would you like to leave behind once you’re gone?
i enjoy most often with musicians on recordings like breaths, or coughs, or in lyric-writing, the sense of them and reality erotically merging or not merging…that kinda soft, truthful coordinate where the 2 touch effortlessly and unknowingly. if how they deal with it or how they don’t deal with it is captured, i guess its called the human condition? that sounds super self helpy though. damn.
do you like people you can control?
definitely not. i thrive on equals, i love that feeling when you reach a balance of 2 very different creatures letting each other surf and bloom in the best way.
how vulnerable do you feel one should leave oneself to remain vibrant?
ha, ha, ha, ha, i must have been very sleepy at that point ha, ha, ha, ha i feel it’s a constant balancing act, to remain open enough but also not to implode. to keep a skeletal structure but stay open chested.
the challenge of a lifetime…
Top 5 Takeaways From Tiger Woods’s Latest Press Conference
Tiger Woods met with the media Wednesday in front of the Farmers Insurance Open and gave a reasonable way to deal with his PGA Tour return. You can see his full question and answer session here.
Underneath, we trimmed it down. Here are the five most interesting statements from Woods’ Wednesday press conference:
- On his expectations: “I think yeah, my expectations have tempered a little bit because I haven’t played. When I came back off my ACL injury in ’08 and started playing in ’09, it was nine months but I hadn’t played a full schedule prior to that. Here, I haven’t played a full schedule since 2015. It’s been a long time. To be honest with you, I just want to start playing on the Tour and getting into a rhythm of playing a schedule again. I haven’t done that in such a long time, so I don’t know what to expect. Just go out there and just play, I’m going to grind it, give it everything I possibly have if I put the ball in the right position and make some putts and try to work my way up the board.”
- On how desperate his back woes were: “You know, I tried all different types of treatment on it and we went – I went through every single procedure that is nonsurgical prior to getting it fused. I exhausted every single procedure I could possibly do and it just didn’t get better. So the surgery and fusion was the only step I had left. I was very lucky because it’s down at L5-S1 and it only has maybe six degrees of rotation, so it’s really not much at all so I got lucky in that regard. It’s been tough. I didn’t know when the back was going to go out. I don’t know if you guys were watching this past week with Freddie, how bad it was. He was fine and all of a sudden he makes a couple bad swings and there it goes. That’s very similar to how I was.”
- On getting his speed back: “I hadn’t felt good in four, five years. My surgeon, you know, he said from the get-go, once it’s fused, you’ll have – you’ll have speed like you did back in your early 30s. And he’s right because there’s no pain, I’m not flinching, it doesn’t hurt as I take the club back, it doesn’t hurt right before impact, it doesn’t hurt after impact, it doesn’t hurt when I walk. It was a tough go for a while and I don’t have any of those feelings.”
- On why he’s going without a coach (for now): “I’ve said it many times already, it’s just that no one’s had a spinal fusion at that level and be able to hit the ball that hard, as hard as I do. So I’d like to meet somebody who can swing it over 120 miles an hour with a fused back. Do you know anybody? That’s what I mean, no one understands that. So I have to rely own my own feels and play around with what my body can and cannot do. It’s not going to look like it used to, I don’t have the mobility that I do – that I used to and that’s just the reality. Now it’s just a matter of what can I do, and that’s just practicing and getting my feels and trusting, experimenting a lot to try and figure out what can this body do and how explosive can it be and how am I going to control shots with different shapes, am I going to have different feels. Some of that stuff is yes, some of that stuff is different and I’m still learning it.”
- On his plan early in the year: “I’m just trying to build towards April. That’s what I told you guys last year in the Bahamas, I’m looking forward to playing a full schedule and getting ready for the Masters and I haven’t done that in a very long time. That’s usually been my schedule and my outlook. From ’96 on it’s been that way to try to get ready for Augusta and there’s no reason to change that.”
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Top 5 Times Oprah Has Lost Her Cool On Her Talk Show
Here are the most effective crossroads in Oprah TV history when everyone’s eyes were on Oprah, and she lost her cool, cries on a show, lost her poise or even merely lost her brain, making all of us either cry or lowered that even Oprah is a slave to her feelings in some cases. Plan to go on the passionate, crazy ride that spread over a very long while with our dearest anchorperson. As we enter her last season, prepare for more Oprah crying minutes. Get ready to see her lose it all the more frequently as she directs some of her most enthusiastic Oprah interviews.
At the point when did Oprah cry on her show? There are a large number of illustrations when the normally quiet symbol loses her self-restraint, this rundown follows those minutes.
Oprah’s Heartthrob Surprise
Oprah Talks About Her Best Friend in the World
Oprah opens up to Barbara Walters about her association with Gayle King, her closest companion, and the lesbian gossipy tidbits that have surfaced irregularly consistently.
Around one moment into the clasp, Barbara requests that Oprah depict her intimate association with Gayle. Oprah takes over ten seconds to recover her poise and endeavour to answer the inquiry.
Oprah portrays Gayle as the mother she never had, the sister everyone would need, and the companion everyone merits. “I don’t have a clue about a superior individual.” She is exceptionally enthusiastic all through the clasp as she discusses Gayle.
This clasp is a capable demonstration of the actual truthfulness that has characterised Oprah’s vocation.
Oprah’s Tribute to Sophie, Her Faithful, Deceased Cocker Spaniel
Oprah commits a show to her dearest cocker spaniel, Sophie, who she had for a long time and had as of late passed.
The Oprah Winfrey Show group set up an introduction together for Oprah about Sophie and her opportunity as a significant aspect of Oprah’s family.
Oprah tells us previously she has not seen the video and is watching it out of the blue.
The video starts around thirty-five seconds in and includes some excellent photographs and video film of a delightful dark cocker spaniel going through her days with O. It proceeds until the two-moment stamp. At the point when the clasp comes back to Oprah, she is in tears with a Kleenex. She says she knew viewing the video would be hard and battles to get past her guide as she wipes her eyes. O instantly enjoys a business reprieve to get it together and “get [her]self together.”
It is reviving to see this reliable, rousing lady demonstrate a weakness for losing a cherished pet. It proves to every one of us that it’s alright to feel like the organisation we keep, human and non-human, don’t need to be blood-identified with feel like the piece of our family.
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Top 10 Quotes By Leonardio DiCaprio
Dissimilar to numerous previous youngster on-screen characters who tend to bite the dust (or blur into obscurity) in their teenager years and past, 42-year-old Academy Award victor Leonardo DiCaprio has gloated an unfaltering resume of film hits for almost two decades, from his terrible hand over 1993’s What’s Eating Gilbert Grape? To a featuring part in film industry sensation Titanic.
Notwithstanding his fantastic movie profession, Leo has utilised his Hollywood capital in various generous endeavours. He’s wind up one of the world’s best environmental change champions and backers for more stringent confinements on carbon emanations each shot he gets.
Indeed, he gave particular specify to the earth in his Oscar acknowledgement discourse for his work in The Revenant, entreating the group of onlookers to “work on the whole together and quit tarrying” when managing environmental change. These qualities are reflected in his everyday life; he drives battery-fueled vehicles and lives in a sun-based controlled home.
The following are 10 of the most motivating Leonardo DiCaprio that ought to urge you to deal with what makes you cheerful.
“Be thankful for the hard times, for they have made you” – Leonardo DiCaprio
“It’s easy to fall into the trap of believing all the hype that’s written about you… Who knows? In a couple of years, you might find me in the loony bin!” – Leonardo DiCaprio
“If you can do what you do best and be happy, you’re further along in life than most people.” – Leonardo DiCaprio
“Pay close attention to people who don’t clap when you win.” – Leonardo DiCaprio
“To believe in love, to be ready to give up anything for it, to be willing to risk your life for it, is the ultimate tragedy.” – Leonardo DiCaprio
“A wrong connection will give you shock throughout your life, but the right one will light up your life.” – Leonardo DiCaprio
“Everybody has gone through something that has changed them in a way that they could never go back to the person they once were.” – Leonardo DiCaprio
“I just really love doing what I do. I know every career is fleeting and there will be time periods when I don’t get the opportunities that I’m getting right now, so I am taking advantage of them.” – Leonardo DiCaprio
“Only you and you alone can change your situation. Don’t blame it on anything or anyone.” – Leonardo DiCaprio
“I really am motivated by being able to work with great people and create a body of work that I can look back and be proud of.” – Leonardo DiCaprio
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