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Mr. Goldblum, would you consider yourself an eccentric?

Well, I may have, for a time, bridled at that particular word. If I’m, you know, unconventional, it can be fairly seen sometimes by some people as eccentric. But my path has been from the start one of a devotedly, singular kind of expression. It makes me think of the training that I had in acting with my teacher Sanford Meisner in New York early on. He said, amongst other wise things, that we should try not to copy anybody and find our own unique voice. I think I took that to heart, that’s one of the things that I’ve tried to do, and I’m still on the threshold of finding something more from my personal gizzard.

What about before you moved to New York? Being devoted to a singular kind of expression doesn’t sound like it would necessarily make you popular in high school…

Oh boy, yeah. Certainly in the school that I went to… I felt alien in a way! (Laughs) The people with whom I originally went to school were very different from my sort of sensibility group that I found later—I don’t think any of them, for instance, pursued the creative arts. So I was kind of different, because early on I took piano lessons and I had some facility for drawing and painting. I liked tap dancing and then had an interest in mime.

“I’ve always been disciplined and I’m still nothing if not conscientious.”

Mime? Really?

Sure, I went around, put on white face and leotards and a horizontal striped shirt and ballet slippers and did mime demonstrations in school! (Laughs) I also think I had a different sense of humor than the people that I originally grew up with. I was thrilled and kind of enflamed to find what felt like my real family when I went to New York at 17 and started studying acting. I still find myself interested in working on that personality. I made it into a little experimental project in the last few decades, you know.

What do you mean?

Well, it’s fun to adopt a different perspective, another kind of physical presentation of yourself, a different point of view about all sorts of things that may not be literally your own. But I like the idea of a challenge: of weaving that, marrying those character elements with something unexpectedly of my own too, you know. And mixing it up into a kind of delicious cocktail!

Has that cocktail become more Jeff Goldblum over time? Critics often write that there’s “a lot of Jeff Goldblum in this role,” for example.

I follow the beat of my own drum. I think I’ve gotten more confident and self-trustful in my ability and my natural appetite for play, and not over-adorning it with anything. Just relying on the simplicity of play. Like my character in Thor: Ragnarok, the Grandmaster, he’s almost 14 billion years old and immortal and can do anything that you can possibly imagine but what gives him most pleasure is play. And I would say that about myself. I’ve always been disciplined and I’m still nothing if not conscientious, but in terms of the process — how can I say it? I jettisoned what feels like unnecessary technical things now.

“I like to think of acting as only what you’re doing when you’re playing pretend.”

Does that mean that you just show up to the job now?

Well, I trust that if I’ve got a night’s sleep, if possible, and have had something to eat, and have worked on the part, I can kind of just show up. It’s of course a case-by-case basis, depending on the part and the scene. But just put some attention and some good honest effort into trying to solve the puzzles of the scene and it will work out, without overly trying to inflate my condition, my inner thinking and feeling — without overly abusing myself.

How do you ensure that balance?

I like to think of acting as only what you’re doing when you’re playing pretend. When you say, “The literal circumstances of life are not what applies right now and we’re going to play a game where we pretend that we were in other circumstances and we’re other people under other circumstances.” When I’m not doing that, then I’m not really acting.

Didn’t Marlon Brando say we are always acting?

I think he did and I’m interested in what he thought, because I love him and still he’s a mysteriously brilliant genius to me. I think he was talking about role-playing and the masks that we all wear in life, which, of course, I know about. But I think it’s different. I may be, you know, sometimes engaged in trying to entertain others, but I like to think of acting as only happening when you’re playing the game. It finally needn’t have a lot of rococo decoration on it.

“I had kind of an inner experience of, ‘Hey, I think I’m doing something here, I can contribute differently than anybody else.’”

Has a director ever asked you to tone down your own personality for a part?

Look, I can do this in a hundred ways. I find if I tickle myself, there’s more than one way to skin the cat. The directors I somehow have always been attracted to, and who have been attracted to me, have not been such confrontational types. But for instance, I was working all day yesterday with a director and he was suggesting things that I thought immediately, “I don’t like that idea so much.” But I didn’t say anything. I’d be happy to sort of try out some of the things that he was doing and then just kind of launch into something of my own. And if it works, everybody involved always seems to go, “Hey, that’s what I was thinking about!”

When did you first realize that you could portray your own version of a role and get away with it?

Well, maybe I’m just mythologizing my nostalgic memory of it, but I remember a moment on the set of Philip Kaufman’s 1978 Invasion of the Body Snatchers. We were doing a scene and Veronica Cartwright’s character says to me, “Why do we always expect metal ships?” And I say to her, and it was a line we came up with on the set, “Well, I’ve never expected metal ships!” Now, it’s not that that moment is so startling or striking. But to me, just the way it happened, and I think because of Phil’s special sensitivity and appreciation of me in particular, I had kind of an inner experience of, “Hey, I think I’m doing something here, I can contribute differently than anybody else.”

Source: The Talk

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Top 5 Takeaways From Tiger Woods’s Latest Press Conference




Tiger Woods met with the media Wednesday in front of the Farmers Insurance Open and gave a reasonable way to deal with his PGA Tour return. You can see his full question and answer session here.

Underneath, we trimmed it down. Here are the five most interesting statements from Woods’ Wednesday press conference:

  • On his expectations: “I think yeah, my expectations have tempered a little bit because I haven’t played. When I came back off my ACL injury in ’08 and started playing in ’09, it was nine months but I hadn’t played a full schedule prior to that. Here, I haven’t played a full schedule since 2015. It’s been a long time. To be honest with you, I just want to start playing on the Tour and getting into a rhythm of playing a schedule again. I haven’t done that in such a long time, so I don’t know what to expect. Just go out there and just play, I’m going to grind it, give it everything I possibly have if I put the ball in the right position and make some putts and try to work my way up the board.”
  • On how desperate his back woes were: “You know, I tried all different types of treatment on it and we went – I went through every single procedure that is nonsurgical prior to getting it fused. I exhausted every single procedure I could possibly do and it just didn’t get better. So the surgery and fusion was the only step I had left. I was very lucky because it’s down at L5-S1 and it only has maybe six degrees of rotation, so it’s really not much at all so I got lucky in that regard. It’s been tough. I didn’t know when the back was going to go out. I don’t know if you guys were watching this past week with Freddie, how bad it was. He was fine and all of a sudden he makes a couple bad swings and there it goes. That’s very similar to how I was.”
  • On getting his speed back: “I hadn’t felt good in four, five years. My surgeon, you know, he said from the get-go, once it’s fused, you’ll have – you’ll have speed like you did back in your early 30s. And he’s right because there’s no pain, I’m not flinching, it doesn’t hurt as I take the club back, it doesn’t hurt right before impact, it doesn’t hurt after impact, it doesn’t hurt when I walk. It was a tough go for a while and I don’t have any of those feelings.”
  • On why he’s going without a coach (for now): “I’ve said it many times already, it’s just that no one’s had a spinal fusion at that level and be able to hit the ball that hard, as hard as I do. So I’d like to meet somebody who can swing it over 120 miles an hour with a fused back. Do you know anybody? That’s what I mean, no one understands that. So I have to rely own my own feels and play around with what my body can and cannot do. It’s not going to look like it used to, I don’t have the mobility that I do – that I used to and that’s just the reality. Now it’s just a matter of what can I do, and that’s just practicing and getting my feels and trusting, experimenting a lot to try and figure out what can this body do and how explosive can it be and how am I going to control shots with different shapes, am I going to have different feels. Some of that stuff is yes, some of that stuff is different and I’m still learning it.”
  • On his plan early in the year: “I’m just trying to build towards April. That’s what I told you guys last year in the Bahamas, I’m looking forward to playing a full schedule and getting ready for the Masters and I haven’t done that in a very long time. That’s usually been my schedule and my outlook. From ’96 on it’s been that way to try to get ready for Augusta and there’s no reason to change that.”

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Top 5 Times Oprah Has Lost Her Cool On Her Talk Show




Here are the most effective crossroads in Oprah TV history when everyone’s eyes were on Oprah, and she lost her cool, cries on a show, lost her poise or even merely lost her brain, making all of us either cry or lowered that even Oprah is a slave to her feelings in some cases. Plan to go on the passionate, crazy ride that spread over a very long while with our dearest anchorperson. As we enter her last season, prepare for more Oprah crying minutes. Get ready to see her lose it all the more frequently as she directs some of her most enthusiastic Oprah interviews.

At the point when did Oprah cry on her show? There are a large number of illustrations when the normally quiet symbol loses her self-restraint, this rundown follows those minutes.

Oprah’s Heartthrob Surprise

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Since Oprah has, at last, consented to be the one on the less than the desired end of shocks for her final season, her staff pulled a startling get-together experience for The Big O and welcomed Jackie Jackson to come into her office and amazement her at her work area.

Oprah really liked Jackie and this date dash has been over 43 years really taking shape.

Jackie shocks O and realises her blossoms thirty seconds into the clasp.

Oprah hurls her arms and shouts as he embraces her. She shouts a few more circumstances and after that affectionately, tongue in cheek (obviously), undermines to gun down her snickering staff as she whines that she was not dressed for Jackie. Fantasy and a lousy dream across the board.

As the clasp proceeds with, Oprah ushers Jackie out of the room and begins an energised, scattered endeavour to settle her cosmetics and put eyelashes on and get ready for her fantasy date. “Thank god, Stedman’s in Bermuda.”

This clasp is a great deal of enjoyable to watch, and Oprah’s so endearingly found napping that it influences you to think to any significant amazement you’ve ever gotten in your life.

Oprah Talks About Her Best Friend in the World

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Oprah opens up to Barbara Walters about her association with Gayle King, her closest companion, and the lesbian gossipy tidbits that have surfaced irregularly consistently.

Around one moment into the clasp, Barbara requests that Oprah depict her intimate association with Gayle. Oprah takes over ten seconds to recover her poise and endeavour to answer the inquiry.

Oprah portrays Gayle as the mother she never had, the sister everyone would need, and the companion everyone merits. “I don’t have a clue about a superior individual.” She is exceptionally enthusiastic all through the clasp as she discusses Gayle.

This clasp is a capable demonstration of the actual truthfulness that has characterised Oprah’s vocation.

Oprah’s Tribute to Sophie, Her Faithful, Deceased Cocker Spaniel


Ranker Video

Oprah commits a show to her dearest cocker spaniel, Sophie, who she had for a long time and had as of late passed.

The Oprah Winfrey Show group set up an introduction together for Oprah about Sophie and her opportunity as a significant aspect of Oprah’s family.

Oprah tells us previously she has not seen the video and is watching it out of the blue.

The video starts around thirty-five seconds in and includes some excellent photographs and video film of a delightful dark cocker spaniel going through her days with O. It proceeds until the two-moment stamp. At the point when the clasp comes back to Oprah, she is in tears with a Kleenex. She says she knew viewing the video would be hard and battles to get past her guide as she wipes her eyes. O instantly enjoys a business reprieve to get it together and “get [her]self together.”

It is reviving to see this reliable, rousing lady demonstrate a weakness for losing a cherished pet. It proves to every one of us that it’s alright to feel like the organisation we keep, human and non-human, don’t need to be blood-identified with feel like the piece of our family.

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Top 10 Quotes By Leonardio DiCaprio




Dissimilar to numerous previous youngster on-screen characters who tend to bite the dust (or blur into obscurity) in their teenager years and past, 42-year-old Academy Award victor Leonardo DiCaprio has gloated an unfaltering resume of film hits for almost two decades, from his terrible hand over 1993’s What’s Eating Gilbert Grape? To a featuring part in film industry sensation Titanic.

Notwithstanding his fantastic movie profession, Leo has utilised his Hollywood capital in various generous endeavours. He’s wind up one of the world’s best environmental change champions and backers for more stringent confinements on carbon emanations each shot he gets.

Indeed, he gave particular specify to the earth in his Oscar acknowledgement discourse for his work in The Revenant, entreating the group of onlookers to “work on the whole together and quit tarrying” when managing environmental change. These qualities are reflected in his everyday life; he drives battery-fueled vehicles and lives in a sun-based controlled home.

The following are 10 of the most motivating Leonardo DiCaprio that ought to urge you to deal with what makes you cheerful.

“Be thankful for the hard times, for they have made you” – Leonardo DiCaprio

“It’s easy to fall into the trap of believing all the hype that’s written about you… Who knows? In a couple of years, you might find me in the loony bin!” – Leonardo DiCaprio

“If you can do what you do best and be happy, you’re further along in life than most people.” – Leonardo DiCaprio

“Pay close attention to people who don’t clap when you win.” – Leonardo DiCaprio

“To believe in love, to be ready to give up anything for it, to be willing to risk your life for it, is the ultimate tragedy.” – Leonardo DiCaprio

“A wrong connection will give you shock throughout your life, but the right one will light up your life.” – Leonardo DiCaprio

“Everybody has gone through something that has changed them in a way that they could never go back to the person they once were.” – Leonardo DiCaprio

“I just really love doing what I do. I know every career is fleeting and there will be time periods when I don’t get the opportunities that I’m getting right now, so I am taking advantage of them.” – Leonardo DiCaprio

“Only you and you alone can change your situation. Don’t blame it on anything or anyone.” – Leonardo DiCaprio

“I really am motivated by being able to work with great people and create a body of work that I can look back and be proud of.” – Leonardo DiCaprio

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