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THE MARGO JEFFERSON TALK: “CRITICISM DEMANDS AUTHORITY”

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Ms. Jefferson, is it ever possible to separate personal experience from cultural documentation, or are the two inextricably linked?

I think “inextricably” is a strange word because we tend to think that inextricably means that the two things are symmetrical. I would certainly say that my life, and perhaps human life in general, follows an intricate pattern of defining, declaring, struggling for, fighting for what we think of and treasure as the self. The inviolate self. This begins with our families: your parents are part of your cultural landscape, and they are also shaped by larger forces than them. However, I do think that race, gender and class — those are “inextricably” linked.

As a writer and Pulitzer Prize winning culture critic, is that problematic?

I want to dramatize and make visible those separates in ways from which they could never be wholly separate from each other. My book Negroland, for example, is a cultural memoir that’s really about the navigations between those strange spaces, between the personal and this larger, social, political and cultural landscape. I spent so many years being a critic, that to find my way into that bramble of intimacies from a personal place was tricky and frightening. My first thought was to give up, to relinquish everything and find a completely new voice.

“Criticism does demand a certain kind of authority, but what about the authority of not really being sure what you think?”

Really? How come?

Criticism does demand a certain kind of authority, but what about the authority of not really being sure what you think? What about the authority, the authenticity that comes from bringing all your intellectual, emotional and spiritual equipment to a piece of art or entertainment whilst still being uncertain and confused? What about the authority and authenticity of intelligent questioning?

What was the result? Were you able to push those boundaries further in your memoir?

Well, I realized that I don’t have to renounce being a critic because criticism has vulnerability and ambivalence, too. The act of transitioning from criticism to writing a memoir became more like a performer taking on a completely new style: you have to retrain the muscles of the mind and of the spirit. There’s a whole legacy of criticism and even a kind of mythology of criticism, in which you are the omniscient narrator. You are narrating with a voice that is declaring, “My tastes are sacred, they are fixed. I am mediating for you as the reader.”

But it seems like your narrative voice has even more authority in telling your personal story.

Right, and that’s definitely a powerful position. It means you have to be very careful and strict over how you use your personal material and your personal life. In many ways, everything about my upbringing decreed that I wouldn’t write a memoir because in the world where I grew up, in Chicago in the fifties and sixties, one key way of protesting ourselves — “we” meaning black people — against racism, against its stereotypes and its insults, was to curate and narrate very carefully the story of the people. I really was taught that not only does your behavior reflect the race, but we don’t talk or acknowledge our lapses, our weaknesses, our failures as a people outside of our own community, because white people will always take them as a sign that racism is justified.

That seems like a huge responsibility. Do you still feel that way today?

I mean, it sounds very primal and something that a sophisticated person — and I am saying that a little ironically — would have moved past. (Laughs) But we are very much shaped by this talk as a child. I had to find my own way to talk about it as a defense, as protective coloration, please forgive the pun, and almost to move past it to some forms of revelation.

Does the tension caused by nostalgia concern you?

Well, think about what we’re seeing right now in the emotional Trump ideology: this angry, furiously and poisonously nostalgic, “Let’s go back to the time when the only people that had privileges bestowed by right, whether it’s by God or whatever, were white men.” All minorities have been pushed into this dustbin, “Well, you were struggling for things that you don’t really deserve by nature, so we need to take back what you never deserved to begin with. Your privileges were provisional.”

Do you feel the weight of that manifestation, or is the entertainment industry evolving past that?

There isn’t only one way that black art or entertainment is represented, and that’s the most important thing. We’re permeating every style. We’re claiming, and when necessary appropriating, all kinds of forms. Nothing is forbidden because it’s not what black people do, because it’s not what we think of as black art. No false start — that’s exciting.

“I’m glad that as a writer I tried to do a lot of things that I hadn’t done before. Technically and emotionally, that excited me still.”

Are pop icons like Rihanna and Beyoncé helping to champion that?

You know what? I think they are! They are popularizers of various styles of cheekiness, of independence, of sexual power, sexual gamesmanship. Rihanna I haven’t followed that closely but God, I love looking at her. (Laughs) But I like her insolence as a performer. I really like that Beyoncé claims the word and the many meanings of “feminism.” She has absolutely ignited the conversation. One sees growth and change in her work and that really matters to me. Beyoncé has also clearly decided that staying away from interviews is enhancing, and that is a strong decision for an entertainer to make when curating their image, their story.

It goes back to what we you were saying about there being authority in telling, or in this case not telling, one’s story. It’s an act of power either way.

Right. Performers are always doing very delicate navigations between how accessible they are and how remote they are. You always need a kind of ongoing dramatic tension between the performer and their audience. She has got several layers going: she’s got the tension between herself live and herself on video, she’s got the tension between herself and all her fans and she’s got the tension between herself not speaking publicly very often and the “Beyhive,” whose members speak about her constantly. This preserves her mystery whilst giving her more power.

Do you feel like that’s something you achieved with Negroland?

Well, with Negroland, I wanted to capture the various masks and personas I have adapted and I was very open about the psychological struggles and costs. When I contemplate it, I’m proud that I didn’t try to impose a kind of arc of unity and of upward growth towards revelation and resolution. I used more than one voice, more than one persona because I wanted to capture the fractures in the experience. I’m glad that as a writer I tried to do a lot of things that I hadn’t done before. Technically and emotionally, that excited me still.

Source: The Talk

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Top 10 Quotes On Leo Messi To Read Today

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Lionel Messi will stand out forever as one of the best footballers the world has ever observed.

The Argentina hotshot has scored over twofold the measure of objectives of any other person to have shown up for Barcelona ever. He is entirely a marvel.

Rather than laud about Messi’s brightness ourselves, we’ve gathered a portion of the best tributes to the forward from a portion of the greatest figures in the diversion. There’s gleaming recognition from Roy Keane in there…

Luis Figo

“For me to watch Messi is a pleasure – it’s like having an orgasm – it’s an incredible pleasure.”

Paolo Maldini

“I think he reached and surpassed the level of Maradona. He does incredible things, at a speed that is insane.”

Diego Maradona

“I have seen the player who will inherit my place in Argentine football and his name is Messi. Messi is a genius.”

Zlatan Ibrahimovic

“Messi does not need his right foot. He only uses the left and he’s still the best in the world. Imagine if he also used his right foot, then we would have serious problems.”

Hristo Stoichkov

“Once they said they can only stop me with a pistol. Today you need a machine gun to stop Messi.”

Javier Mascherano

“Although he may not be human, it’s good that Messi still thinks he is.”

Raul

“The other day I saw one of his games. He was running with the ball at a hundred per cent full speed, I don’t know how many touches he took, maybe five or six, but the ball was glued to his foot. It’s practically impossible.”

Roy Keane

“I was a big fan of Maradona growing up and of the current crop Ronaldo is good, but Messi is the best I’ve ever seen. I don’t dish out praise lightly, but Messi deserves it. I look for weaknesses in his game and I can’t find them.”

Pep Guardiola

“Don’t write about him, don’t try to describe him, just watch him.”

 John Terry
“Lionel Messi is quite clearly the best player ever. It’s a pleasure to pit myself against him and when I finish my career it’s something I can look back on and know I’ve tested myself against the very best.”
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Source: Internet
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The Best 5 Oprah Winfrey Interviews

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Oprah Winfrey is a household name, the one the world won’t soon overlook. Once the wealthiest dark lady on the planet, her profession has been going for longer than generally relational unions. Regardless of whether she’s ingraining confused feelings of trepidation into the hearts of oppressive moms, meeting disturbed pop stars or losing the heaviness of a little youngster (and after that picking up it appropriate back) it appears like everything the lady does stand out as genuinely newsworthy.

Here are 5 of her most crucial scenes and interviews — on the off chance that you’ve possessed a TV in the past two decades, you’ll perceive no less than a couple.

The Tom Cruise Interview

As though the world required reminding that Tom Cruise was a psycho, in 2005 he allowed us the new chance to see the insane person in its particular territory. Voyage, manically infatuated with Katie Homes, skipped around the set in what might end up a standout amongst the most public presentations of big-name incited craziness ever to elegance arrange TV. One might say that he never experienced the experience down.

The Whitney Houston Interview

https://youtu.be/sHJKBkPx2Hs

For reasons that make no sense, numerous were amazed when Whitney Houston admitted to substantial medication use with her ex, Bobby Brown, in a 2009 meeting with Winfrey. The visit with Houston, a standout amongst the most beautified and loved performers of present-day times, was a standout amongst the most foreseen encounters of the decade. The medication utilises — for the most part, weed bound with first-rate cocaine — is all anybody appears to recall from the discourse.

The  James Frey Interview

Author James Frey had his name dragged through the soil as extortion amid one of Oprah’s most discussed debates. His A Million Little Pieces, which had been displayed as an official journal, was found to have been a creation. Winfrey didn’t take too benevolently to this news, notably, since she’d picked the novel for a portion of the pervasive “Oprah’s Book Club.” The two, in the end, made decently, however it most likely doesn’t feel great when Oprah is frantic at you. It’s presumably something like influencing your grandmother to cry.

The Barack and Michelle Obama Interview

https://youtu.be/invJq5ZgoUk

This scene was the first run through Winfrey had met a sitting President and First Lady, and it was an immensely foreseen portion. It was a weird occurrence that Obama had recently declared Osama canister Laden’s demise to the country just before the scene publicised, and not one that went unnoticed. The couple appeared to be cheerful over the span of the meeting, specifying how pleased they were the point at which their little girl met the Pope. Obama got his offer of feedback for requiring some severe energy from driving the country to show up on a television show, yet it regardless turned into an immortal bit of American history.

The Rihanna Interview

Rihanna’s meeting with Oprah on her Oprah Winfrey Network did not only talk with a pop star — is transformed into an open exchange about abusive behaviour at home in the wake of Rihanna’s manhandle on account of her ex, Chris Brown. Winfrey went to the vocalist’s house on the island of Barbados to have an expanded visit. Some startling disclosures, similar to the way that she was still enamoured with the man who’d beaten her silly, were come to. It was a disputable minute for Rihanna, yet a shelter for Oprah—it was one of her most astounding appraised interviews ever.

For more such interviews, subscribe to Talk Column today!

Disclaimer: All images are sourced from the web. No copyright infringement intended.

 

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Top 5 Crazy Celebrity Interviews

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As this point in our way of life’s history, the big name meet has turned out to be ubiquitous to the point that it’s hard to astonish us any longer. They ask pretty much similar inquiries, which result in the same, unsurprising answers. It resembles painting by numbers. Be that as it may, occasionally, we get a break from the dreariness, and everything goes to pieces. That is the point at which we liven up in our seats and truly begin focusing.

Truly, the big name meet doesn’t generally go as arranged. Now and then individuals get furious, or an awful instance of the snickers, or they say something that sounded a considerable measure more interesting in their mind then it did leaving their mouth.

Here are only 5 of our most loved insane celebrity interviews.

The Michael Caine Impression

Sir Michael Caine examined his chance in Korea, the Stanislavsky school of acting and crying on a sign in this great 2007 meeting with British anchor person Sir Michael Parkinson. The subject he got most worked up about, notwithstanding, was each one of those loathsome Michael Caine impressions.

Steve Carrell scares Ellen DeGeneres

The glow between good companions Steve Carrell and Ellen DeGeneres is evident in this clasp from 2010, in spite of the last’s edgy want for exact retribution. The reason? A prior meeting, where Steve got her great and legitimate

Russell Brand seizes Morning Joe

It’s difficult to pinpoint precisely what turned out badly and when in this 2013 meeting with the undoubtedly un-messianic Russell Brand, however, it’s enticing to state it was comfortable begin. Russell surely looks awkward at the proposal that moderator Mika Brzezinski doesn’t know his identity, and it goes downhill from that point, with Russell, in the end, blaming his hosts on their absence of behaviour. Trust ol’ Russ to make it bright, however.

Mila Kunis is a freakin’ sport

In March 2013, British radio moderator Chris Stark was given ten minutes’ notice that he’d be talking with Mila Kunis about her new film Oz the Great and Powerful. The outcome was a line of scrutinising that scarcely referenced the film, and rather rotated around Chris’ neighbourhood bar, football club, a specific British chicken eatery, and drinking diversions with his companions. He welcomed Mila to every one of the four, getting “enormous chap focuses” when she said she’d do her best to go to. Mila, on her part, said it was the “best meeting of the day.

Bruce Willis versus Stephen Colbert

Bruce Willis is a broadly thorny character with regards to interviews, for example when this 2013 junket meets turned out badly for Magic FM radio host Jamie Edwards. So this disaster with Stephen Colbert looked amazingly conceivable when Bruce showed up on The Late Show in 2015 — until, that is, it didn’t.

For more such crazy interviews, subscribe to Scandal Column today!

Source: BBCAmerica

Disclaimer: All images are sourced from the web. No copyright infringement intended.

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