Ms. Hall, would you say that movies and theater are a form of time travel?
Yeah! Absolutely. The interesting thing about it is that period films tend to tell you something about the time at which they were made as much as they do about the time in which they’re set. If you think of something like Elizabeth Taylor in Cleopatra, it tells you about 1960s makeup choices as much as it does about the ancient Egyptians.
How does that change when you’re acting in a period piece yourself?
Well, actors live in a very rich fantasy life, and one of the benefits is that you get to find out what would it be like to live in a different time. Of course that’s fun. But I don’t know that you should treat a period as a historical artifact. You kind of have to look at the script and sort of work out what is important to represent… But I guess when you explore stories that take place in other time frames, you realize how people are still people.
“I wanted to have idols who were grown up women, who were strong women.”
What do you mean?
They sort of reveal the universality because you get to see how little has changed — or how much has changed. I was always quite an avid history student at school and I found it fascinating because your perception of how different people were is challenged when you actually look at it. In the 1920s, when Professor Marston and the Wonder Women was set, for example, society was very hostile to these unconventional relationships and towards women…
But people pushed back against those conventions all the time.
Right, there were huge movements of radical ways of living your life! You can’t quite fathom that people could be so radical in the 1920s. But they were! History tends to go through waves of sort of extreme freedom and social relationships followed by backlash and then back again… And I find that quite interesting to look at.
I read that growing up, you admired actresses like Barbara Stanwyck and Bette Davis.
I mean, that period in Hollywood was incredibly restricted and oppressive for female actors. You signed a contract and you were forced to do whatever they told you to do. But it was also a moment where the box office was driven by films that had very strong women in them. When I was a teenager, I didn’t necessarily see those stories around me but I did see them in the thirties, forties, fifties, and sixties with those women. They were just incredibly empowered in circumstances which weren’t very empowering — and I wanted to have idols who were grown up women, who were strong women.
Is that strength something you look for in the roles you choose these days?
Well, I like to take on big characterizations and I like to disappear in roles and do things which don’t obviously feel like me or that I don’t necessarily obviously relate to. But it’s always me so at the end of it all, I learn something about myself. Any character I play reveals things that I didn’t know about myself because it’s all me. I don’t think really good acting calls attention to itself; it should be so human that you stop seeing the actor and you just see the story… So with women like Barbara Stanwyck and Katherine Hepburn and Bette Davis, you know, I found them very inspirational in that sense. I was drawn to them.
What do you think made that the Golden Age of cinema?
I don’t know that it was necessarily the Golden Age of cinema but I suppose it was a golden age for women because coming out of World War II, women had a moment where they had a very different place in American society because they’d gone into the workplace for the first time. They’d been left at home and they were the incredible strength, these women, who survived on their own, certainly in England but also in America. And I think that shows up in the storytelling. There was definitely an interest in stories back then.
“Whenever there’s a time of social or political upheaval, art tends to be quite exciting and vibrant.”
Whereas today, Hollywood seems only interested in remaking old classics and sequels.
Exactly, and I think it portrays a lack of trust in writing and original material. I think it’s unfortunate. I think we should all be more risky. You know, everyone wants to do things by a formula because then maybe it has a better chance of making money, but the truth is none of us know anymore what brings people into the cinema and what makes money! I think we should throw all the models out the window and get on with being risky. I think there should be more room for original writing.
Is that based on fear, do you think?
Movies are an enormous industry and it’s just a basic sort of… Nobody has any sense of what’s going to be a hit and what’s not — so everyone wants to try and second guess the formula but nobody can. I read lots of great original writing all the time, but it just can’t get made. No one will give it the money! I don’t think the problem is in the writing. I think the problem is in the people who are writing the checks not willing to take the risk.
One thing is for sure, nobody will consider a Baywatch or a Jumanji remake as part of the contemporary Golden Age…
I actually think we’re just in a transitional period. I think we’re transitioning out of a sort of tentpole period into a period that’s starting to be shifted by different factors like how people are watching movies, for example. But I don’t know! I don’t know where we’re going but I do feel like there’s more content than ever and people want stories more than ever. People need fiction and escapism and all the things that movies have always been good for. Whenever there’s a time of social or political upheaval, art tends to be quite exciting and vibrant. And I think we’re transitioning into that actually.
Source: The Talk
Top 10 Quotes On Leo Messi To Read Today
Lionel Messi will stand out forever as one of the best footballers the world has ever observed.
The Argentina hotshot has scored over twofold the measure of objectives of any other person to have shown up for Barcelona ever. He is entirely a marvel.
Rather than laud about Messi’s brightness ourselves, we’ve gathered a portion of the best tributes to the forward from a portion of the greatest figures in the diversion. There’s gleaming recognition from Roy Keane in there…
“For me to watch Messi is a pleasure – it’s like having an orgasm – it’s an incredible pleasure.”
“I think he reached and surpassed the level of Maradona. He does incredible things, at a speed that is insane.”
“I have seen the player who will inherit my place in Argentine football and his name is Messi. Messi is a genius.”
“Messi does not need his right foot. He only uses the left and he’s still the best in the world. Imagine if he also used his right foot, then we would have serious problems.”
“Once they said they can only stop me with a pistol. Today you need a machine gun to stop Messi.”
“Although he may not be human, it’s good that Messi still thinks he is.”
“The other day I saw one of his games. He was running with the ball at a hundred per cent full speed, I don’t know how many touches he took, maybe five or six, but the ball was glued to his foot. It’s practically impossible.”
“I was a big fan of Maradona growing up and of the current crop Ronaldo is good, but Messi is the best I’ve ever seen. I don’t dish out praise lightly, but Messi deserves it. I look for weaknesses in his game and I can’t find them.”
“Don’t write about him, don’t try to describe him, just watch him.”
The Best 5 Oprah Winfrey Interviews
Oprah Winfrey is a household name, the one the world won’t soon overlook. Once the wealthiest dark lady on the planet, her profession has been going for longer than generally relational unions. Regardless of whether she’s ingraining confused feelings of trepidation into the hearts of oppressive moms, meeting disturbed pop stars or losing the heaviness of a little youngster (and after that picking up it appropriate back) it appears like everything the lady does stand out as genuinely newsworthy.
Here are 5 of her most crucial scenes and interviews — on the off chance that you’ve possessed a TV in the past two decades, you’ll perceive no less than a couple.
The Tom Cruise Interview
As though the world required reminding that Tom Cruise was a psycho, in 2005 he allowed us the new chance to see the insane person in its particular territory. Voyage, manically infatuated with Katie Homes, skipped around the set in what might end up a standout amongst the most public presentations of big-name incited craziness ever to elegance arrange TV. One might say that he never experienced the experience down.
The Whitney Houston Interview
For reasons that make no sense, numerous were amazed when Whitney Houston admitted to substantial medication use with her ex, Bobby Brown, in a 2009 meeting with Winfrey. The visit with Houston, a standout amongst the most beautified and loved performers of present-day times, was a standout amongst the most foreseen encounters of the decade. The medication utilises — for the most part, weed bound with first-rate cocaine — is all anybody appears to recall from the discourse.
The James Frey Interview
Author James Frey had his name dragged through the soil as extortion amid one of Oprah’s most discussed debates. His A Million Little Pieces, which had been displayed as an official journal, was found to have been a creation. Winfrey didn’t take too benevolently to this news, notably, since she’d picked the novel for a portion of the pervasive “Oprah’s Book Club.” The two, in the end, made decently, however it most likely doesn’t feel great when Oprah is frantic at you. It’s presumably something like influencing your grandmother to cry.
The Barack and Michelle Obama Interview
This scene was the first run through Winfrey had met a sitting President and First Lady, and it was an immensely foreseen portion. It was a weird occurrence that Obama had recently declared Osama canister Laden’s demise to the country just before the scene publicised, and not one that went unnoticed. The couple appeared to be cheerful over the span of the meeting, specifying how pleased they were the point at which their little girl met the Pope. Obama got his offer of feedback for requiring some severe energy from driving the country to show up on a television show, yet it regardless turned into an immortal bit of American history.
The Rihanna Interview
Rihanna’s meeting with Oprah on her Oprah Winfrey Network did not only talk with a pop star — is transformed into an open exchange about abusive behaviour at home in the wake of Rihanna’s manhandle on account of her ex, Chris Brown. Winfrey went to the vocalist’s house on the island of Barbados to have an expanded visit. Some startling disclosures, similar to the way that she was still enamoured with the man who’d beaten her silly, were come to. It was a disputable minute for Rihanna, yet a shelter for Oprah—it was one of her most astounding appraised interviews ever.
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Top 5 Crazy Celebrity Interviews
As this point in our way of life’s history, the big name meet has turned out to be ubiquitous to the point that it’s hard to astonish us any longer. They ask pretty much similar inquiries, which result in the same, unsurprising answers. It resembles painting by numbers. Be that as it may, occasionally, we get a break from the dreariness, and everything goes to pieces. That is the point at which we liven up in our seats and truly begin focusing.
Truly, the big name meet doesn’t generally go as arranged. Now and then individuals get furious, or an awful instance of the snickers, or they say something that sounded a considerable measure more interesting in their mind then it did leaving their mouth.
Here are only 5 of our most loved insane celebrity interviews.
The Michael Caine Impression
Sir Michael Caine examined his chance in Korea, the Stanislavsky school of acting and crying on a sign in this great 2007 meeting with British anchor person Sir Michael Parkinson. The subject he got most worked up about, notwithstanding, was each one of those loathsome Michael Caine impressions.
Steve Carrell scares Ellen DeGeneres
The glow between good companions Steve Carrell and Ellen DeGeneres is evident in this clasp from 2010, in spite of the last’s edgy want for exact retribution. The reason? A prior meeting, where Steve got her great and legitimate
Russell Brand seizes Morning Joe
It’s difficult to pinpoint precisely what turned out badly and when in this 2013 meeting with the undoubtedly un-messianic Russell Brand, however, it’s enticing to state it was comfortable begin. Russell surely looks awkward at the proposal that moderator Mika Brzezinski doesn’t know his identity, and it goes downhill from that point, with Russell, in the end, blaming his hosts on their absence of behaviour. Trust ol’ Russ to make it bright, however.
Mila Kunis is a freakin’ sport
In March 2013, British radio moderator Chris Stark was given ten minutes’ notice that he’d be talking with Mila Kunis about her new film Oz the Great and Powerful. The outcome was a line of scrutinising that scarcely referenced the film, and rather rotated around Chris’ neighbourhood bar, football club, a specific British chicken eatery, and drinking diversions with his companions. He welcomed Mila to every one of the four, getting “enormous chap focuses” when she said she’d do her best to go to. Mila, on her part, said it was the “best meeting of the day.
Bruce Willis versus Stephen Colbert
Bruce Willis is a broadly thorny character with regards to interviews, for example when this 2013 junket meets turned out badly for Magic FM radio host Jamie Edwards. So this disaster with Stephen Colbert looked amazingly conceivable when Bruce showed up on The Late Show in 2015 — until, that is, it didn’t.
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