Ms. Cotillard, you have worked on all kinds of different projects, from art house French films to Hollywood blockbusters. Do you have a favorite style of working?
No, I love when it’s different every time. I don’t like to compare because I don’t see the point. I don’t have a favorite process. My favorite process is the right process for the person I am working with. I can fit in any process as long as the director respects who I am and doesn’t try to put me in a situation to get something out of me – if I can give it without that situation. It doesn’t work at all.
What kind of situation?
Someone who will try to make me angry or create a situation that is not related to my character in order to put me in the state of the character. It’s 100 percent counter productive. Either I will get mad and I won’t be good or – and most of the time this is what happens – I will laugh. I cannot take it seriously.
Because I can see the trick and I need authenticity. I need to be on the same page as the director. It happened once that the guy was doing things and he would ask me to do things that I didn’t expect, but I liked it because it fit with the movie. I was never slapped in the face, but some of my fellow actors have had this experience. That wouldn’t work for me at all. I need to be part of the process – and the trust.
Are you more self-confident now than you used to be?
No. I think it’s part of myself. Insecurity is very common among actors. When I started giving interviews and talking to people that I didn’t know, it was a nightmare. I’ve learned how to deal with interviews and insecurity; I’ve gotten used to it. But it’s always weird when you have to talk to someone you don’t know, someone who asks questions about yourself. It’s kind of a weird process. But I feel good. I love to discover and jump into the unknown and there is no security there.
Is that why you work in Europe and in Hollywood?
That was totally by luck. I had never thought I could work outside of my country, especially in the United States. I am from this generation where the American, the U.S. movies are part of our culture, so the American movies fed my dream to be an actress, but I never thought that I could one day work in an American movie. So I feel very, very lucky.
Well it doesn’t hurt that you won an Oscar for your performance in La Vie en Rose.
I feel lucky that this crazy Olivier Dahan thought I could be Édith Piaf. He changed my life. As an actress I always wanted to do movies and I never dreamt about doing movies in America just because I didn’t think it was possible. It was never a part of my dream. My dream was pretty simple. I just wanted to tell stories, make movies. I already consider myself very lucky to be able to do what I love to do.
But many French actors and filmmakers choose not to work in America, even though they could. French director François Ozon told us, “Americans respect you when you stay in your country, but when you arrive in America it’s finished.”
I was in Cannes one year with a French actress and she is very talented, very beautiful, and my American agent grabbed my dress and said, “Introduce me to her. I want to meet her!” So I went to see her and said, “My American agent wants to meet with you.” And she was like, “I don’t care! I don’t speak English and I don’t want to do any movies there.” I was surprised, but she absolutely refused to meet with my agent. She’s my generation, she could have everything, and she totally refused. And I was begging her! I said, “It’s an experience, you never know…” So you know, it’s very personal. Some people are just not interested. But it was not my goal and I don’t consider it as a big achievement to act in America. I just always wanted to be an actress.
My parents are actors and so I was surrounded by actors. I was surrounded by great energy and storytellers all my childhood. And that was fascinating. When I was very young I saw plays that are not for kids and I have a very, very vivid memory of those moments. Usually it was when the nanny didn’t come and my mom had to take my brothers and I to a three-hour play about ancient Greece or something. We would go crazy – she would go crazy, too. (Laughs) I remember the actors who were friends with my parents being normal people that I knew and then on stage they were cats or dogs. That was crazy. As far as I remember I always wanted to be an actress.
What was it like the first time you were on stage?
I was very young, I think I was like four or five. My mother was doing this play and the director asked me to do something. I remember exactly the location, the theater. There was a big piano, there was this woman on the floor and she was supposed to be my mother. But my mother was on stage, too. And I remember the confusion. I didn’t understand why they were saying such crazy things, pretending that my mother was there lying down while my mother was over there! That was my first time on stage.
Do you bring your son on set with you like your mother took you to the theater?
Yes, but you need a very good makeup artist. (Laughs) You don’t sleep anymore, but at the same time, you have this strength that comes from this life that has just arrived. It’s a big cliché how your priorities change, but every parent knows that sometimes there’s a thunderstorm and you look at his eyes and everything is all right. It is a revolution of everything you feel. It increases strength. It increases everything – except nighttime.
Source: The Talk
Top 10 Quotes From Elon Musk’s Genius
Regardless of whether we’re discussing on the web instalments, science, innovation or space travel, the name Elon Musk should fly up in your psyche.
Alluded to as the Nikola Tesla of our age, Elon Musk is a business person, business head honcho, speculator, designer, and innovator. This person unquestionably knows his way with cash. He turned into a multimillionaire in his late 20s when he sold his first new business, Zip2.
The founder of SolarCity, Tesla, and SpaceX trusts in humankind and needs to change the world, and this isn’t merely pie in the sky considering. The man is really taking a shot at lessening an unnatural weather change and building up a human settlement on Mars to forestall human elimination. What more verification do you have to trust that all that you decided is conceivable?
Here are 11 Elon Musk quotes to influence you to begin taking a shot at your fantasies, regardless of how unimaginable they may appear to be at present.
When something is important enough, you do it even if the odds are not in your favor.
It is possible for ordinary people to choose to be extraordinary.
The first step is to establish that something is possible then probability will occur.
Patience is a virtue, and I’m learning patience. It’s a tough lesson.
I think that’s the single best piece of advice: constantly think about how you could be doing things better and questioning yourself.
Some people don’t like change, but you need to embrace change if the alternative is disaster.
If you get up in the morning and think the future is going to be better, it is a bright day. Otherwise, it’s not.
Life is too short for long-term grudges.
I take the position that I’m always to some degree wrong, and the aspiration is to be less wrong.
People should pursue what they’re passionate about. That will make them happier than pretty much anything else.
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Top 5 Things We Picked From Cristiano Ronaldo’s Interview
Cristiano Ronaldo has opened up about his life in his most cosy meeting to date with The Players’ Tribune.
The Real Madrid forward talks about everything from his first football memory, to his most significant minute in the game, and each inclination he had in the middle.
He additionally discusses his family, the two his folks who helped him achieve the highest point of the diversion, and his child, who helped him value the most important things throughout everyday life.
Underneath we have select five intriguing applies from the long meeting – 5 things you’ll certainly be intrigued to find out about the Portuguese.
Ronaldo played football on the roads… among cars.
Each adolescent has a type of memory of playing on concrete, regardless of whether it’s merely booting a ball against a check.
In any case, as indicated by future four-time Ballon d’Or champ Ronaldo, he used to play in the street, while autos were driving past. Thank the ruler there were no mishaps, eh?
He wasn’t prepared to leave home and battled at Sporting Lisbon.
Ronaldo appears to be the most satisfied person on the planet, yet at 11 years old he didn’t feel prepared to leave home for the Portuguese capital.
As per the man himself he battled at the Sporting Lisbon institute and was exceptionally achy to visit the family, just observing his folks once like clockwork. Luckily he stuck it out, and things showed signs of improvement.
He understood he was unique at the Academy.
It likely didn’t come as a lot of disclosure, considering the reality he would go ahead to end up the best player on the planet. However, Ronaldo can pinpoint the minute he knew he was extraordinary.
He’d show signs of improvement of his partners in preparing and was regularly lauded for his capacity. So, he conceded he was worried about being too little.
Turning into a father at Real Madrid made his chance at club additional exceptional.
It must be truly unique to advance out onto the pitch wearing the all-white Real Madrid strip and having the capacity to tell the world you’re a Los Blancos player.
Be that as it may, as indicated by Ronaldo, this has all been made additional unique by the reality he fathered his child while at the club, which he concedes changed his point of view.
Holding hands and strolling with child is his most memorable moment
Strolling as an inseparable unit with his child in Cardiff is his most loved memory.
All through the meeting, Ronaldo talks gladly about every one of the trophies he has won in his profession, however, concedes they implied more to him when he was more youthful.
Today he views his most loving memory as strolling around the pitch at Cardiff clasping hands with his young child after winning the Champions League. Favour.
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Disclaimer: All images are sourced from the web. No copyright infringement intended.
DAVID BAILEY SAYS: “HOW ARE YOU GOING TO CROSS THE ROAD?”
Mr. Bailey, would you swear in front of the Queen?
No, if you’re going to accept the Queen you have to accept the tradition. You know, I’ve got nothing against the monarchy. I think there are too many hangers-on, but that’s also a cliché thing to say. I doubt she’d be too shocked. She’s been around; she’s not stupid.
You recently took the official photo for her 88th birthday.
Yes and I think she looks incredible for 88. I had never photographed her before.
I wouldn’t photograph anybody if they only give you five minutes. I don’t care who it is. I don’t care if God phoned me up and said, “I want a picture, I’ve only got five minutes.” I’d say, “Well, work some of your magic and make it longer!” Even though I’m actually quicker than most and I usually get bored before they get bored.
What kind of people are the most difficult to photograph?
Lots of politicians are so full of themselves. Sports people too a bit. But actors are the most difficult because you never know who you’re photographing. They could be Hamlet or Lassie. But the fewer people they come with, the more interesting they usually are. Johnny Depp came with nobody so I knew it was going to be all right. Jack Nicholson never came with anybody, but Jack’s different because I’ve known him for so long.
You once said Jack Nicholson is the smartest actor because he knows something nobody else does. What is it that he knows?
I don’t fucking know. If I knew, I’d be as smart as him. (Laughs)
One of the things that fascinated me when I met him was his grin and the sparkle in his eye when he talked about women.
Yeah, with Viagra. He’s the first person that told me about Viagra.
When was that?
Oh, years ago. Before everyone knew about it! (Laughs)
“Actors are the most difficult because you never know who you’re photographing. They could be Hamlet or Lassie.”
When you know someone very well like you do Jack Nicholson is it easier to take a great portrait of them?
It depends. It’s one of those abstract things. We had a difficult bloke this week, what was he called? Van Morris or somebody… He was so grumpy. But I loved him being grumpy because I could use his grumpiness. I got a great grumpy picture out of him. If I see another picture of a rock ‘n’ roller against some graffiti… It drives you mad, the same old picture! Can’t they ever think of something different to do? So I don’t mind people that are difficult. I quite like that. It amuses me because there is always a way around it. I mean, no one could be more difficult than Van whatever he’s called, Van Morrison.
It seems pointless to have your picture taken if you’re not going to cooperate though.
Well he left really happy, Van Morrison. But it is kind of pointless to come here if you’re not going to help me. They might not like the picture, but one day they will. One day that’s what they’re going to look like – whether they look like that or not. Medici said to Michelangelo, “That sculpture doesn’t look like me.” Michelangelo said, “Listen, you’ll be dead in 20 years, but this will be around for 2,000 years. So, that’s what you look like!” You could say that a bit with photography.
Does it often happen that people aren’t happy with their portrait, but then years later change their mind?
Yeah. 10 years later usually. We had one recently, I won’t mention his name, I shot him 30 years ago and he said, “I hate the picture.” But his wife bought one for him as a birthday present recently. (Laughs) 30 years later and come get the picture.
Are celebrities more difficult nowadays than they were 30 or 40 years ago?
Well, I avoid celebrities. I’m not really interested in people that come with PR. That’s probably why I can’t work in America, because I don’t take all that bullshit. I don’t know how people like Bruce Weber manage, because it would drive me mad. All these silly people who don’t know anything that come with celebrities and try to tell you what to do. It’s madness! They brought it on themselves, the magazines. They should have been stricter. They should have said, “No, we’re not showing you. We’re doing the interview and that’s that.” But instead they pander to them and in the end they end up owning you. Those magazines are owned by the celebrities, really.
You don’t strike me as the type to pander to anyone.
I never really read what people write about me, but the comments people made when doing this exhibition recently at the National Portrait Gallery are so stupid. “Oh, Bailey panders to these people.” I don’t pander to anybody. I just do the picture I do. I don’t care who it is. And I won’t do pictures if people want approval. It has always seemed stupid to me that they ask you to do something and then want to sort of tell you how to do it. What madness!
Source: The Talk
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