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“SHOW THEM LIFE”- FROM THE MAURIZIO CATTELAN

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Mr. Cattelan, it seems like the ultimate goal of your art is to provoke. What effect does a negative reaction have on you?

Provocations are like a Molotov cocktail. They only work one time out of ten, but when it works it can also be dangerous for the arm that is throwing it. It’s the price that has to be paid. I once had a trio of sculptures hanging from a tree in Milan that were vandalized. What I like about the public response is that it’s totally unpredictable. There’s just no way to anticipate it.

Do you ever regret works that you have made?

Every single work, at least once a day. Every morning we choose between milk or tea or coffee: usually I know what I like, but I don’t rule out changing my idea sometimes. The editing process is one of the most important parts in everyday life. The same is with my work: mistakes are part of the decision-making process.

Are you sometimes surprised with the things you are able to get away with? I mean, you built a giant middle finger out of marble and got it displayed in one of the main squares of Milan.

I wouldn’t say surprised. To me it’s something necessary, something that’s missing. That is the reason why I’ve been doing it. With that sculpture the authorities approved the location and the mock-up of the sculpture without opposing. Initially it should have stayed there for just ten days. I don’t know how it happened, but they ended up asking me to donate the sculpture to the city for decades!

Did you have to make up some kind of backstory to get away with it?

True stories are always better than built-up bullshit and every work is connected in some way with the others. In this case a hand missing four out of five fingers was in my pocket when I met the city’s alderman of culture for the first time. It was from the mock-up of another sculpture, Ave Maria, the three arms making the fascist salute.

Would you agree that you mess with people for a living?

You are saying it, not me. To me it is a natural thing that I just keep doing, the way fish swim and birds fly. It’s something that’s done with a particular urgency: every work is the transformation of a personal emergency into a public act.

“Originality is an overrated concept, and a bit old-fashioned.”

When Peter Brant asked you to do a portrait of his wife Stephanie Seymour, you made a trophy out of her. Was that a personal emergency?

That is another good story. I went to Peter’s house because he wanted to ask me for a commissioned work. As I went inside the house, the walls were covered with hunting trophies, with every kind of animal, and I knew immediately what I would do. It was consequential to add just one more, a portrait of his beautiful wife.

Was he upset by it?

Apparently he was pleased! Rules are simply obstacles to be jumped like in a horse race, higher and higher every time. Never give an artist like me carte blanche, he would think it’s simply toilet paper.

Speaking of which, were you surprised that the fashion industry’s reaction to your magazine Toilet Paper was so positive, even though it ridicules glossy art and fashion magazines?

We felt more lucky than surprised. One of the interesting points in working with a major fashion brand like Kenzo has been that, thanks to the campaigns’ pictures, Toilet Paper images have been published everywhere, on buses, billboards, magazines. A print run like that would be impossible to achieve if you were publishing independently.

Those Kenzo images are significantly different than standard fashion campaigns. Do you feel like you have to create such unconventional images because we are constantly bombarded with visual content nowadays?

It’s a challenge. In this word crowded with fast-consumed images we are trying to produce images that last more than two seconds… and we always wonder if we’re accomplishing that task. Because no alphabet is involved, images are a territory that everyone has the skills to explore, but at the same time no two people have the same sensations and experiences. It’s the reign of the subjective interpretation: we are trapped in a huge new tower of Babel, built up by the thousand of images we see everyday, and I swear it’s a lovely torture!

Source: The Talk

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Top 5 Takeaways From Tiger Woods’s Latest Press Conference

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Tiger Woods met with the media Wednesday in front of the Farmers Insurance Open and gave a reasonable way to deal with his PGA Tour return. You can see his full question and answer session here.

Underneath, we trimmed it down. Here are the five most interesting statements from Woods’ Wednesday press conference:

  • On his expectations: “I think yeah, my expectations have tempered a little bit because I haven’t played. When I came back off my ACL injury in ’08 and started playing in ’09, it was nine months but I hadn’t played a full schedule prior to that. Here, I haven’t played a full schedule since 2015. It’s been a long time. To be honest with you, I just want to start playing on the Tour and getting into a rhythm of playing a schedule again. I haven’t done that in such a long time, so I don’t know what to expect. Just go out there and just play, I’m going to grind it, give it everything I possibly have if I put the ball in the right position and make some putts and try to work my way up the board.”
  • On how desperate his back woes were: “You know, I tried all different types of treatment on it and we went – I went through every single procedure that is nonsurgical prior to getting it fused. I exhausted every single procedure I could possibly do and it just didn’t get better. So the surgery and fusion was the only step I had left. I was very lucky because it’s down at L5-S1 and it only has maybe six degrees of rotation, so it’s really not much at all so I got lucky in that regard. It’s been tough. I didn’t know when the back was going to go out. I don’t know if you guys were watching this past week with Freddie, how bad it was. He was fine and all of a sudden he makes a couple bad swings and there it goes. That’s very similar to how I was.”
  • On getting his speed back: “I hadn’t felt good in four, five years. My surgeon, you know, he said from the get-go, once it’s fused, you’ll have – you’ll have speed like you did back in your early 30s. And he’s right because there’s no pain, I’m not flinching, it doesn’t hurt as I take the club back, it doesn’t hurt right before impact, it doesn’t hurt after impact, it doesn’t hurt when I walk. It was a tough go for a while and I don’t have any of those feelings.”
  • On why he’s going without a coach (for now): “I’ve said it many times already, it’s just that no one’s had a spinal fusion at that level and be able to hit the ball that hard, as hard as I do. So I’d like to meet somebody who can swing it over 120 miles an hour with a fused back. Do you know anybody? That’s what I mean, no one understands that. So I have to rely own my own feels and play around with what my body can and cannot do. It’s not going to look like it used to, I don’t have the mobility that I do – that I used to and that’s just the reality. Now it’s just a matter of what can I do, and that’s just practicing and getting my feels and trusting, experimenting a lot to try and figure out what can this body do and how explosive can it be and how am I going to control shots with different shapes, am I going to have different feels. Some of that stuff is yes, some of that stuff is different and I’m still learning it.”
  • On his plan early in the year: “I’m just trying to build towards April. That’s what I told you guys last year in the Bahamas, I’m looking forward to playing a full schedule and getting ready for the Masters and I haven’t done that in a very long time. That’s usually been my schedule and my outlook. From ’96 on it’s been that way to try to get ready for Augusta and there’s no reason to change that.”

For more such interviews, subscribe to Talk Column today!

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Top 5 Times Oprah Has Lost Her Cool On Her Talk Show

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Here are the most effective crossroads in Oprah TV history when everyone’s eyes were on Oprah, and she lost her cool, cries on a show, lost her poise or even merely lost her brain, making all of us either cry or lowered that even Oprah is a slave to her feelings in some cases. Plan to go on the passionate, crazy ride that spread over a very long while with our dearest anchorperson. As we enter her last season, prepare for more Oprah crying minutes. Get ready to see her lose it all the more frequently as she directs some of her most enthusiastic Oprah interviews.

At the point when did Oprah cry on her show? There are a large number of illustrations when the normally quiet symbol loses her self-restraint, this rundown follows those minutes.

Oprah’s Heartthrob Surprise

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Since Oprah has, at last, consented to be the one on the less than the desired end of shocks for her final season, her staff pulled a startling get-together experience for The Big O and welcomed Jackie Jackson to come into her office and amazement her at her work area.

Oprah really liked Jackie and this date dash has been over 43 years really taking shape.

Jackie shocks O and realises her blossoms thirty seconds into the clasp.

Oprah hurls her arms and shouts as he embraces her. She shouts a few more circumstances and after that affectionately, tongue in cheek (obviously), undermines to gun down her snickering staff as she whines that she was not dressed for Jackie. Fantasy and a lousy dream across the board.

As the clasp proceeds with, Oprah ushers Jackie out of the room and begins an energised, scattered endeavour to settle her cosmetics and put eyelashes on and get ready for her fantasy date. “Thank god, Stedman’s in Bermuda.”

This clasp is a great deal of enjoyable to watch, and Oprah’s so endearingly found napping that it influences you to think to any significant amazement you’ve ever gotten in your life.

Oprah Talks About Her Best Friend in the World

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Oprah opens up to Barbara Walters about her association with Gayle King, her closest companion, and the lesbian gossipy tidbits that have surfaced irregularly consistently.

Around one moment into the clasp, Barbara requests that Oprah depict her intimate association with Gayle. Oprah takes over ten seconds to recover her poise and endeavour to answer the inquiry.

Oprah portrays Gayle as the mother she never had, the sister everyone would need, and the companion everyone merits. “I don’t have a clue about a superior individual.” She is exceptionally enthusiastic all through the clasp as she discusses Gayle.

This clasp is a capable demonstration of the actual truthfulness that has characterised Oprah’s vocation.

Oprah’s Tribute to Sophie, Her Faithful, Deceased Cocker Spaniel

 

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Oprah commits a show to her dearest cocker spaniel, Sophie, who she had for a long time and had as of late passed.

The Oprah Winfrey Show group set up an introduction together for Oprah about Sophie and her opportunity as a significant aspect of Oprah’s family.

Oprah tells us previously she has not seen the video and is watching it out of the blue.

The video starts around thirty-five seconds in and includes some excellent photographs and video film of a delightful dark cocker spaniel going through her days with O. It proceeds until the two-moment stamp. At the point when the clasp comes back to Oprah, she is in tears with a Kleenex. She says she knew viewing the video would be hard and battles to get past her guide as she wipes her eyes. O instantly enjoys a business reprieve to get it together and “get [her]self together.”

It is reviving to see this reliable, rousing lady demonstrate a weakness for losing a cherished pet. It proves to every one of us that it’s alright to feel like the organisation we keep, human and non-human, don’t need to be blood-identified with feel like the piece of our family.

For more such talks and quotes, subscribe to Talk Column today!

 

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Top 10 Quotes By Leonardio DiCaprio

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Dissimilar to numerous previous youngster on-screen characters who tend to bite the dust (or blur into obscurity) in their teenager years and past, 42-year-old Academy Award victor Leonardo DiCaprio has gloated an unfaltering resume of film hits for almost two decades, from his terrible hand over 1993’s What’s Eating Gilbert Grape? To a featuring part in film industry sensation Titanic.

Notwithstanding his fantastic movie profession, Leo has utilised his Hollywood capital in various generous endeavours. He’s wind up one of the world’s best environmental change champions and backers for more stringent confinements on carbon emanations each shot he gets.

Indeed, he gave particular specify to the earth in his Oscar acknowledgement discourse for his work in The Revenant, entreating the group of onlookers to “work on the whole together and quit tarrying” when managing environmental change. These qualities are reflected in his everyday life; he drives battery-fueled vehicles and lives in a sun-based controlled home.

The following are 10 of the most motivating Leonardo DiCaprio that ought to urge you to deal with what makes you cheerful.

“Be thankful for the hard times, for they have made you” – Leonardo DiCaprio

“It’s easy to fall into the trap of believing all the hype that’s written about you… Who knows? In a couple of years, you might find me in the loony bin!” – Leonardo DiCaprio

“If you can do what you do best and be happy, you’re further along in life than most people.” – Leonardo DiCaprio

“Pay close attention to people who don’t clap when you win.” – Leonardo DiCaprio

“To believe in love, to be ready to give up anything for it, to be willing to risk your life for it, is the ultimate tragedy.” – Leonardo DiCaprio

“A wrong connection will give you shock throughout your life, but the right one will light up your life.” – Leonardo DiCaprio

“Everybody has gone through something that has changed them in a way that they could never go back to the person they once were.” – Leonardo DiCaprio

“I just really love doing what I do. I know every career is fleeting and there will be time periods when I don’t get the opportunities that I’m getting right now, so I am taking advantage of them.” – Leonardo DiCaprio

“Only you and you alone can change your situation. Don’t blame it on anything or anyone.” – Leonardo DiCaprio

“I really am motivated by being able to work with great people and create a body of work that I can look back and be proud of.” – Leonardo DiCaprio

For more such inspiring quotes, subscribe to Talk Column today!

Disclaimer: All images are sourced from the web. No copyright infringement intended.

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